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Easily clip, save and share what you find with family and friends. Easily download and save what you find. The main studio measured 90ft by 65ft. TWW’s Technical Controller Walter Kemp visited America to learn all the latest design features, which included a new type of lighting grid, with a system in the roof for suspending how many letters are there in the Cheyenne alphabet?, plus a lift installation serving many levels facilitating maintenance.
Part of one wall held a specially designed screen enabling backgrounds to be projected. Alfred Francis, Managing Director, added, “using a normal size stage there will be seating accommodation for 600 for the audience participation shows, these will be a regular feature of the work of the studios. We are also incorporating a large audience foyer. His acting experience included appearing in the Cornish Shakespearean Festival. His verse play Beyond Wisdom was produced in Plymouth in 1956. He went on to a long running role in BBC’s World Service. Picture: Thanks to Tina Bate for this publicity.
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This photo is a shot of the grounds at Pontcanna, TWW’s studio. They were no ordinary grounds, for this was the “first outdoor studio in Europe. 4,000, underneath were cables to connect outside broadcast cameras to the control unit inside the adjoining studio. It was officially opened in a programme aptly named Hope It Keeps Fine, on Saturday August 16th 1958, 4. Lady Kilmuir performed the opening ceremony, the programme introduced by Donald Houston.
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Also on hand were Ivor Emmanuel and Pauline Shepard. Thereafter the studios were frequently used in scenes for the Land of Song series. All was hustle and bustle at TWW’s Pontacanna Studios on Tuesday afternoon, as technicians frantically prepared for the Company’s first evening on the air. In the thick of the affray, American Mr Robert Myers, consultant technical manager said, “This is what you call giving birth to a baby. I’ve seen preparations in a nursing home that weren’t a great deal different from this. I hope it goes off well.
Mr Myers is on loan from NBC to TWW. Despite their on-off history TWW’s first night went off smoothly. On the reception side, people from areas deep in West Wales, well outside the Company’s orbit, reported a clear picture. 45pm Production One began, managing Director Mark Chapman-Walker said, “we come as newcomers to this area. As individuals we have deep roots in Wales and the West. I hope that these roots mean that this new plant will flourish. We recognise we are invited guests to your homes and we must become part of your family life.
If you do not like our programmes we shall deserve to have them switched off. We hope that you will not want to. In a short film showing the beginnings of TWW the Earl of Derby, President of the Company, said, “this is a great moment for us all, because after all the difficulties and the frustrations that we have encountered in getting this station on the air, we are at last operating from what is, in fact, the most modern studio in Europe. The main TWW opening offering was Stars Rise in the West, in which Jack Train introduced eleven personalities from the area who had made their name in show business. Frankly, the whole show seems to have been made on the cheap, nothing too arousing in this fare.
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The national ITN News that night came from TWW’s studios, appropriately enough read by Huw Thomas. Interesting note from the TWW Studio is that everyone, men and women, wore a very light blue linen uniform while at work. This innovation was the idea of Chapman-Walker. The Company received American Advice in the setting up of its organisation. It seems to have extended further than technicalities.
For at the head of each page of the first day’s traffic sheet was the word ‘Program. A selection of TWW trade advertisements issued in 1960 . Cardiff Business Club in January 1960. I think I am right in saying we are the only company with two Boards of Directors. There is the main board which meets in London or Pontcanna, and a special Welsh board , with Sir Grismond Phillipps as the chairman which always meets at Pontcanna.
A very large amount of our first year’s profits has been ploughed back into the Bristol studio. Already its local news service has been established and is working excellently in what will finally be the garages of the main studio. In two years TWW has obtained a viewing public of nearly two millions. This is out of a total of about three and a half million people who can receive the programmes two million out of three and a half million is pretty good going for the first two years. I think that television, be it BBC or Independent, has done a tremendous amount to keep families together. As we all know, the younger generation were inclined to leave their villages at night for the bright lights of the nearest town television holds the families together wherever they live and keeps them in their own homes. This scheme allows the retailer to make announcements on the screen at what, I hope, they consider a very economical rate, so that local viewers can be aware of the goods and service on offer.
Of the Arts: “Our Company gave a very great amount of help to the Bath Festival last year in order to encourage Bath to become one of the music centres of Europe. I know will add still further to the glories of Welsh music and the Welsh language. The culture of Wales is a challenge to TWW, which we gladly take up, knowing that we have a highly receptive and discriminating audience. I trust we shall never fail you. There’s a certain cosiness about the chairman coming along to wish everyone all the best,” wrote Harold Darton of TWW’s first Christmas offerings.
100,000 Outside Broadcast Unit , this 30 minute show featured Ivor talking to locals, but with a “strong musical flavour. TWW had the distinction of being first to screen an opera on ITV. As part of their coverage of the 1959 Bath Festival, Bizet’s “Dr Miracle” was screened. A curious experiment was aimed at churches and chapels which had no regular ministers. The screening of two sermons at different times on a Sunday morning “so that people in the different places of worship will be able to place a television set in front of the congregation and hold their services round the fixed transmission time of the sermon. With twelve inch screens and no video recorders, one wonders if any chapels actually adopted this scheme. Early in their life, TWW formed an ambitious but doomed alliance with Bristol’s Old Vic theatre.
That this was not very fruitful, was due to TWW’s inability to network any of the three plays that resulted from this collaboration. First play shown on October 13th 1958 was Two By Two. The second on March 25th 1959 was The Taming of the Shrew with Peter Wyngarde as Petruchio and Joan Heal as Katherine. This was a 60 minute adaptation of the play performed by the Old Vic company, produced by Frank Dunlop.
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Summer 1959 saw the taping in Cardiff of Rules of the Game with Stephen Murray as Leone, Adrienne Corri and Richard Gale. Produced by Douglas Seale, directed by John Wynn-Jones. Also in the cast were Rosalind Atkinson, Donald Pickering, Michael Danvers-Walker, John Barcroft, Peter Jeffrey, Gerald James and John Woodvine. Originally the agreement had extended to six Old Vic plays, but I have found no evidence of any further productions. It’s interesting to compare Southern Television’s London Old Vic contract and note the similar networking problems encountered there.
One locally made play was a drama documentary on the life of local hero Isambard Brunel, which was taped during September 1959, written by Kem Bennett and directed by John Wynn-Jones. Not surprisingly Peter Wyngarde was given the lead. It was networked on November 18th that year. It wasn’t until November 1961 that TWW contributed any drama to the network, in the Thirty Minute Theatre series, The Organ Blower. 26 programmes with Pearl Catlin, who said, “I have been trying very hard to perfect The Real Approach, I hope I have succeeded. If I had not been allowed to exploit personality I would have been lost. This pair introduced TWW’s last admag series Round and About, the final programme of which was on Thursday March 28th 1963, 6.
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One surviving admag is Have A Warm Home, a one off from TWW’s Bristol studios, devoted to Ryax Heating. Some Other TWW Programmes in alphabetical order. Abracadabra hosted by Roy Ward Dickson. Other quizzes he introduced were Pix and Think of a Number . In Abracadabra questions were asked having answers beginning with a letter of the alphabet, randomly selected. A correct response gave you that letter, the idea being to make a five letter word out of your winning letters. A second series began on October 3rd 1960, and it returned rather memorably with two programmes on the same evening.
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Interestingly this was accidental, as only one programme had been scheduled that evening, but someone muddled up the tapes, “a human error,” explained a TWW spokesman. Thus the following programme, Sailor of Fortune, was postponed to enable the advertised discussion to be shown. The first programme actually screened was about chastity, hosted by regular contributor Lady Pakenham. The programme continued during part of 1961 at 10. 35pm on Mondays, the mediator being George Scott.
A third series began on March 5th 1962 Lt General Sir Brian Horrocks was questioned on Where Does A General’s Responsibility Lie? George Scott continued as the mediator. Guests scheduled for this series included Lord Russell of Liverpool, Gerald Nabarro, and Vanessa Redgrave. A variation on the idea came in 1963 with Celtic Challenge, in which the usual group of students questioned a local personality on an item of topical interest.
What was different however, was that it was a series made in conjunction with other lesser ITV regions. As well as TWW, WWN, Scottish, Grampian, Ulster, Border and Westward stations also contributed programmes. One source also states that Telefis Eireann was part of the project. Friday Special hosted by Rex Garner and Maureen Pryor, who left after May 15th, replaced by announcer Rita Street. 19 year old singer Maureen Evans was such a success that TWW put her under contract. Also a regular on the programme was Ted Trimmer, brother of actress Deborah Kerr, who presented film reports on diverse subjects such as ghost hunting in Monmouth and an inventor in Weston-super-Mare. Here Today was Here and There’s long running successor.
It started three days a week and included an inter schools quiz on Mondays, a nature corner on Wednesdays and dancing lessons on Fridays. Host was celebrated pianist who became famous nationally on BBC’s Face the Music, Joseph Cooper. The fifth in the series dealt with the Thompson-Bywaters case, and included an account of a condemned woman’s last moments on the scaffold. A councillor complained this programme was “particularly repulsive it was startlingly unpleasant to hear from Lang that the informer was the executioner. But the ITA rejected the complaint. TWW added, “the programmes in the series are now broadcast late on Saturday evenings, usually about 11 to 11. Lang discussed the motives and background of the accused with Peter Lilley.
Lang also hosted numerous TWW religious programmes. Miss Holiday Belle was TWW’s beauty talent contest. The 1958 final was shown on August 30th, with winners from the ten heats. By summer 1962 the talent spotting series was called Looking for the Stars, Bryan Michie still conducting his eternal quest for talent. The ‘expert’ judges varied from week to week but among them were Norrie Paramor and Philip Phillips. By June that year it was being screened in the peak slot around 9.
The aim was to get a sequence of ten correct identifications of whether statements found on cards are true or false. 8, which came from 26 different towns in the Anglia area. One nice touch was that contestants were occasionally pictured in Television Weekly, these included a Mrs Vera Copley of Ely Cardiff on June 4th 1963, and Mrs A Evans of Glanamman on June 18th 1963. Maurice Woodruff, the well known clairvoyant had his own peak time series on TWW from January 10th 1962 at 8pm. This monthly programme filled the God Slot, normally from 6. 15 to 7pm, and made a star of baritone Ivor Emmanuel. Each programme also featured the TWW Children’s Choir, soon renamed the Pontcanna Choir.
The show included Some Enchanted Evening, sung in Welsh of course. 5 June 29th 1958- with Ivor Emmanuel, Mary Thomas, Pontcanna Children’s Choir, Norman Whitehead Singers. Tano Ferendinos sang from Act 3 of La Traviata, probably not in Welsh. 9 October 19th 1958- with Ivor Emmanuel, Louise Clarke, Anne Edwards and Edgar Evans. The operatic scene was the trio from the final act of Gounod’s Faust.
10 November 16th 1958- with Ivor Emmanuel, Lucille Graham, Louise Clarke, and Philip Casson. Happy Christmas – with Ivor Emmanuel. With Ivor Emmanuel and Lucille Graham. 13 Feb 8th 1959- With Ivor Emmanuel and Lucille Graham.
14 March 8th 1959- With Ivor Emmanuel and Lucille Graham. 16 May 3rd 1959- with Ivor Emmanuel, Lucille Graham, dancers included Gilbert Vernon and Pat Cassie. Compere Janet Evans, a last minute replacement for the advertised Sian Phillips. 20 August 23rd 1959- with Ivor Emmanuel, Lucille Graham, The Norman Whitehead Singers, Jackie Guise, and Richard Garner.
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21 September 20th 1959, a show with a harvest setting- same cast as for Aug 23rd. 22 October 18th 1959- same cast. 23 November 15th 1959- same cast. 24 December 13th 1959- with Ivor Emmanuel, Eileen Price, Sian Hopkins, The Norman Whitehead Singers, Jackie Guise, and Richard Garner. Happy Christmas was once again shown on Christmas Day 1959 from 5. 30 to 6pm on TWW and Granada, while A-R in London screened the programme earlier at 4. 25 January 10th 1960 – with Ivor Emmanuel, Lucille Graham, Marion Davies, Sian Hopkins, The Norman Whitehead Singers, Jackie Guise, and Richard Garner.
26 February 7th 1960 – same cast as for Jan 10th. Chris Mercer filmed sequences at the Talyllyn Railway. Ivor Emmanuel played an engine driver at the mythical Llantelly station. Marion Davies, Sian Hopkins, The Norman Whitehead Singers, Jackie Guise, and Richard Garner.
28 April 3rd 1960 – same cast as for Mar 6th. 29 May 1st 1960 – same cast as for Mar 6th. 30 May 29th 1960 – with Ivor Emmanuel, Patricia Bredin, Marion Davies, Sian Hopkins, The Norman Whitehead Singers, Monica Leigh, and Richard Garner. This edition included a 1,500 gallon ‘lake’ 30 ft by 12 ft, built in the studio by designer Alan Pleass. Ivor Emmanuel and Patricia Bredin glided across it in a punt. However it is said that stagehands and firemen from Cardiff City Fire Service stood close by with sandbags and sawdust, just in case there were any leaks. 31 June 26th 1960 – with Ivor Emmanuel, Patricia Bredin, Marion Davies, Sian Hopkins, The Norman Whitehead Singers, Doreen Cran, and Richard Garner.
43 May 28th 1961 – with Johnny Stewart, Tudor Evans, Sian Hopkins, Eileen Price, David Palmer, The Norman Whitehead Singers, Barbara Evans, and David Spurling. 44 June 25th 1961 – with Lucille Graham, Johnny Stewart, Tudor Evans, Sian Hopkins, Eileen Price, David Palmer, The Norman Whitehead Singers, Barbara Evans, and Ronnie Tye. 45 July 23rd 1961 – with Mary Thomas, Johnny Stewart, Tudor Evans, Sian Hopkins, David Palmer, lemmy Mabaso, The Norman Whitehead Singers, Barbara Evans, and David Spurling. 47 September 17th 1961 – with Johnny Stewart, Eileen Price, Sian Hopkins, Philip Potter, Meredydd Evans, The Norman Whitehead Singers.
50 December 10th 1961 This programme was titled Christmas Songs. No cast details were given in TV Times. 55 April 29th 1962 with Johnny Stewart, Eileen Price, Delme Bryn Jones, Sian Hopkins, and Vivienne Lowbury, Pontypridd Madrigal Group. Johnny Stewart, Eileen Price, Delme Bryn Jones, Judith and Peter Thomas, and Doreen Cran. As programmes 50-56 were essentially Land of Song, I am including these programmes as part of the series. 57 June 24th 1962 with Johnny Stewart, Eileen Price, Delme Bryn Jones, Sian Hopkins, Philip Potter, Janice Thomas, and Doreen Cran.
The TWW Singers were now featured alongside the children’s choir. 58 July 22nd 1962: with Johnny Stewart, Delme Bryn Jones, Janice Thomas, John Williams and Patricia Routledge. 59 August 19th 1962 with Johnny Stewart, Delme Bryn Jones, Sian Hopkins, Marian Davies, Janice Thomas, Doreen Cran and the Pontypridd Madrigal Group who also became regulars in the series. 60 September 16th 1962 with Johnny Stewart, Delme Bryn Jones, Kenneth Bowen, Sian Hopkins, Marian Davies, Janice Thomas, Jackie Guise, Doreen Cran and William Martin. 61 October 14th 1962 also with Delme Bryn Jones, Sian Hopkins, Marian Davies, Janice Thomas, and Doreen Cran. 62 November 11th 1962 with Ivor Emmanuel, Marian Davies, Sian Hopkins, Janice Thomas. 63 December 16th 1962: Special Christmas edition with Ivor Emmanuel, Marian Davies, Janice Thomas, Sian Hopkins.
64 January 6th 1963 with Ivor Emmanuel, Marian Davies, Janice Thomas, Sian Hopkins. 65 February 3rd 1963 with Ivor Emmanuel, Marian Davies, Janice Thomas, Sian Hopkins. 68 April 28th 1963: Marian Davies, Sian Hopkins, Janice Thomas and Philip Potter. 69 May 26th 1963 with Marian Davies, Sian Hopkins, Janice Thomas, Philip Potter and Douglas Squires. 70 June 23rd 1963 with Ivor Emmanuel, Marian Davies, Janice Thomas, Philip Potter. 81 April 26th 1964 with Ivor Emmanuel, Marian Davies, Janice Thomas, Philip Potter and Harry Price.
83 June 21st 1964 with Maureen Evans, Sian Hopkins, Philip Potter and Harry Price. 84 July 19th 1964 the final edition of Land of Song. The autumn saw the programme reduced to a slot from 7. 25pm and titled Voice of Melody. The programme was again monthly, other programmes in this weekly slot were made by ATV. Christopher Mercer again produced the programmes. October 25th 1964 were Lucille Graham, Marian Davies, Harry Price with Edward Evanko.