Riding the Phoenix

Riding the Phoenix

16th September 2018OffByRiseNews

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Riding the Phoenix

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Riding the Phoenix

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Please forward this error screen to shared35. Aphrodite riding goose, Athenian red-figure kylix C5th B. Her attributes included a dove, apple, scallop shell and mirror. Her birth from the sea foam. Her adulterous affair with the god Ares. Her love for Adonis, a handsome Cypriot youth who was tragically killed by a boar.

Riding the Phoenix

The judgement of Paris in which the goddess was awarded the prize of the golden apple in return for promising Paris Helene in marriage. The Trojan War in which she supported her favourites Paris and Aeneas and was wounded in the fighting. The race of Hippomenes for Atalanta, which was won with the help of the goddess and her golden apples. The death of Hippolytos, who was destroyed by the goddess for scorning her worship. The statue of Pygmalion which was brought to life by Aphrodite in answer to his prayers. Many other myths are detailed over the following pages. COM This site contains a total of 18 pages describing the goddess Aphrodite, including general descriptions, mythology, and cult.

Hesiod Theogony 188, Cicero De Natura Deorum 3. 13, Cicero De Natura Deorum 3. Aphrodite “Venus de Milo”, Greek marble statue C2nd B. Olympian divinities, was, according to the popular and poetical notions of the Greeks, the goddess of love and beauty. According to Hesiod and the Homeric hymn on Aphrodite, the goddess after rising from the foam first approached the island of Cythera, and thence went to Cyprus, and as she was walking on the sea-coast flowers sprang up under her feet, and Eros and Himeros accompanied her to the assembly of the other great gods, all of whom were struck with admiration and love when she appeared, and her surpassing beauty made every one desire to have her for his wife.

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According to the cosmogonic views of the nature of Aphrodite, she was the personification of the generative powers of nature, and the mother of all living beings. A trace of this notion seems to be contained in the tradition that in the contest of Typhon with the gods, Aphrodite metamorphosed herself into a fish, which animal was considered to possess the greatest generative powers. Ancient mythology furnishes numerous instances in which Aphrodite punished those who neglected her worship or despised her power, as well as others in which she favoured and protected those who did homage to her and recognized her sway. Love and beauty are ideas essentially connected, and Aphrodite was therefore also the goddess of beauty and gracefulness. During the Trojan war, Aphrodite, the mother of Aeneas, who had been declared the most beautiful of all the goddesses by a Trojan prince, naturally sided with the Trojans. Aeneas from the fight, she was pursued by Diomedes, who wounded her in her hand. Her faithlessness to Hephaestus in her amour with Ares, and the manner in which she was caught by the ingenuity of her husband, are beautifully described in the Odyssey.

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Dionysus, Hermes, and Poseidon likewise enjoyed her charms. Poseidon she had two children, Rhodos and Herophilus. As Aphrodite so often kindled in the hearts of the gods a love for mortals, Zeus at last resolved to make her pay for her wanton sport by inspiring her too with love for a mortal man. This was accomplished, and Aphrodite conceived an invincible passion for Anchises, by whom she became the mother of Aeneas and Lyrus. Respecting her connexions with other mortals see Adonis and Butes. The ancient story ran thus : Smyrna had neglected the worship of Aphrodite, and was punished by the goddess with an unnatural love for her father. With the assistance of her nurse she contrived to share her father’s bed without being known to him.

Riding the Phoenix

Later writers furnish various alterations and additions to it. Smyrna was punished with the love for her father, because her mother Cenchreis had provoked the anger of Aphrodite by extolling the beauty of her daughter above that of the goddess. Smyrna after the discovery of her crime fled into a forest, where she was changed into a tree from which Adonis came forth, when her father split it with his sword. Apollo assumed the form of a boar and thus killed Adonis. A third story related that Dionysus carried off Adonis.

When Aphrodite was informed of her beloved being wounded, she hastened to the spot and sprinkled nectar into his blood, from which immediately flowers sprang up. Hera when she wished to stimulate the love of Zeus. The arrow is also sometimes mentioned as one of her attributes. In the vegetable kingdom the myrtle, rose, apple, poppy, and others, were sacred to her. The animals sacred to her, which are often mentioned as drawing her chariot or serving as her messengers, are the sparrow, the dove, the swan, the swallow, and a bird called iynx.

As Aphrodite Urania the tortoise, the symbol of domestic modesty and chastity, and as Aphrodite Pandemos the ram was sacred to her. All the surnames and epithets given to Aphrodite are derived from places of her worship, from events connected with the legends about her, or have reference to her character and her influence upon man, or are descriptive of her extraordinary beauty and charms. All her surnames are explained in separate articles. The principal places of her worship in Greece were the islands of Cyprus and Cythera.

At Cnidus in Caria she had three temples, one of which contained her renowned statue by Praxiteles. Mount Ida in Troas was an ancient place of her worship, and among the other places we may mention particularly the island of Cos, the towns of Abydos, Athens, Thespiae, Megara, Sparta, Sicyon, Corinth, and Eryx in Sicily. The worship of Aphrodite was undoubtedly of eastern origin, and probably introduced from Syria to the islands of Cyprus, Cythera, and others, from whence it spread all over Greece. It is said to have been brought into Syria from Assyria. Aphrodite appears to have been originally identical with Astarte, called by the Hebrews Ashtoreth, and her connexion with Adonis clearly points to Syria. Aphrodite, the ideal of female graec and beauty, frequently engaged the talents and genius of the ancient artists.

Riding the Phoenix

The most celebrated representations of her were those of Cos and Cnidus. Source: Dictionary of Greek and Roman Biography and Mythology. Greco-Roman fresco from Pompeii C1st A. Birth of Aphrodite, Greco-Roman fresco from Pompeii C1st A. Greek epic C7th to 4th B.

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I will turn me to another hymn. Grant that I may gain the victory in this contest, and order you my song. And now I will remember you and another song also. She gives kindly gifts to men: smiles are ever on her lovely face, and lovely is the brightness that plays over it. Tis thine the world with harmony to join, for all things spring from thee, O power divine. Apulian red-figure volute krater C4th B.

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Aphrodite, Apulian red-figure volute krater C4th B. She recognized the round, sweet throat of the goddess and her desirable breasts and her eyes that were full of shining. Greek epic C7th or 6th B. In such perfumed garments is Aphrodite clothed at all seasons.

Aphrodite, the daughter of Zeus stood before him , being like a pure maiden in height and mien, that he should not be frightened when he took heed of her with his eyes. Now when Ankhises saw her, he marked her well and wondered at her mien and height and shining garments. For she was clad in a robe out-shining the brightness of fire, a splendid robe of gold, enriched with all manner of needlework, which shimmered like the moon over her tender breasts, a marvel to see. Aphrodite, he was afraid and turned his eyes aside another way, hiding his comely face with his cloak.

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Three goddesses standing near them–they need no interpreter to tell who they are . Celestial Aphrodite, Paphian queen, dark-eyelashed Goddess, of a lovely mien. After them a third girl entered, her beauty visibly unsurpassed. Her charming, ambrosia-like complexion intimated that she represented the earlier Venus when that goddess was still a maiden. She vaunted her unblemished beauty by appearing naked and unclothed except for a thin silken garment veiling her entrancing lower parts. Each maiden representing a goddess was accompanied by her own escort . Cupides who had just flown in from sky or sea.

They looked just he part with their tiny wings, miniature arrows, and the rest of their get-up, as with gleaming torches they lit the way for their mistress as though she were en route to a wedding-banquet. Greek poetry C5th to 6th A. 3 Aphrodite Riding Goose Athenian Red Figure Vase Painting C5th B. 5 Aphrodite with Dove Apulian Red Figure Vase Painting C4th B. 16 Aphrodite Holding Mirror Paestan Red Figure Vase Painting C4th B. Adonis Paestan Red Figure Vase Painting C4th B. 2 Birth of Aphrodite Athenian Red Figure Vase Painting C4th B.

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1 Aphrodite, Eros, Zeus Apulian Red Figure Vase Painting C4th B. 1 Aphrodite, Ares, Eros Athenian Red Figure Vase Painting C5th B. Ares Seated Athenian Red Figure Vase Painting C5th B. 11A Ares, Aphrodite, Muses Athenian Black Figure Vase Painting C6th B. 13 Aphrodite, Birth of Athena Athenian Black Figure Vase Painting C6th B. 13 Aphrodite, Birth of Dionysus Apulian Red Figure Vase Painting C4th B. 2 Aphrodite, Creation Pandora Athenian Red Figure Vase Painting C5th B.

6 Judgement of Paris Athenian Red Figure Vase Painting C5th B. Erotes Athenian Red Figure Vase Painting C5th B. 5 Judgement of Paris Athenian Red Figure Vase Painting C5th B. 9 Aphrodite, Paris, Menelaus Athenian Red Figure Vase Painting C5th B. Peitho Apulian Red Figure Vase Painting C4th B.

Helen of Troy Athenian Red Figure Vase Painting C5th B. 11 Aphrodite, Hera, Heracles Apulian Red Figure Vase Painting C4th B. 7 Aphrodite, Aeneas, Paris Athenian Red Figure Vase Painting C5th B. 4 Aphrodite, Eros, Hermes Apulian Red Figure Vase Painting C4th B. 3 Aphrodite, Peitho, Dioscuri Athenian Red Figure Vase Painting C5th B. 6 Aphrodite, Eros, Two Lovers Apulian Red Figure Vase Painting C4th B.

Erotes Apulian Red Figure Vase Painting C4th B. 7 Aphrodite, Erostasia Apulian Red Figure Vase Painting C4th B. 4 Aphrodite, Erostasia Athenian Red Figure Vase Painting C4th B. Giant Mimon Athenian Black Figure Vase Painting C6th B.

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18 Aphrodite, Aeneas, Diomedes Athenian Red Figure Vase Painting C5th B. 11 Aphrodite Riding Swan Athenian Red Figure Vase Painting C5th B. 6 Aphrodite, Erotes Chariot Athenian Red Figure Vase Painting C5th B. 5 Aphrodite, Erotes Chariot Athenian Red Figure Vase Painting C5th B. 10 Aphrodite, Eros, Adonis Athenian Red Figure Vase Painting C5th B. 1 Birth of Aphrodite Greco-Roman Pompeii Wall Fresco C1st A. 2 Aphrodite, Ares, Erotes Greco-Roman Pompeii Wall Fresco C1st A.

1 Aphrodite, Ares, Eros Greco-Roman Pompeii Wall Fresco C1st A. Eros Greco-Roman Pompeii Wall Fresco C1st A. 5 Aphrodite, Eros, Erotes Greco-Roman Pompeii Wall Fresco C1st A. Aeneas Greco-Roman Pompeii Wall Fresco C1st A.

2 Aphrodite, Adonis, Charites Greco-Roman Madaba Floor Mosaic A. 1 Birth of Aphrodite Greco-Roman Zeugma Floor Mosaic C2nd A. 2 Birth of Aphrodite Greco-Roman Bulla Regia Floor Mosaic A. 5 Birth of Aphrodite Greco-Roman Phillipopolis Mosaic A. 4 Aphrodite, Ares, Erotes Greco-Roman Phillipopolis Mosaic A.

9 Aphrodite, Erotes Chariot Greco-Roman Le Fahs Floor Mosaic C4th A. 6 Birth of Aphrodite Greco-Roman Bardo Floor Mosaic A. 7 Birth of Aphrodite Greco-Roman Bardo Floor Mosaic A. Erotes Greco-Roman Antioch Floor Mosaic A. 8 Adonis, Ares as Boar Greco-Roman Antioch Floor Mosaic A. 1 Aphrodite, Hera, Athena Greco-Roman Antioch Floor Mosaic C2nd A. 1B Judgement of Paris Greco-Roman Antioch Floor Mosaic C2nd A.

1F Aphrodite as Friday Greco-Roman Orbe Floor Mosaic C3th A. 1 Birth of Aphrodite Greek Bas-Relief Ludovisi Throne C5th B. Homer, The Odyssey – Greek Epic C8th B. Hesiod, Theogony – Greek Epic C8th – 7th B. Hesiod, Works and Days – Greek Epic C8th – 7th B.

Hesiod, The Shield of Heracles – Greek Epic C8th – 7th B. Hesiod, Catalogues of Women Fragments – Greek Epic C8th – 7th B. The Homeric Hymns – Greek Epic C8th – 4th B. Epic Cycle, The Cypria Fragments – Greek Epic C7th – 6th B.