Watching Cartoons vs Watching Cartoon
964 0 0 0 15 20c0 2. 984 0 0 0 19 8c2. Lots of things happen watching Cartoons vs Watching Cartoon cartoons that you just don’t see in the real world.
That’s part of the fun of cartoons. The ability to replace or apply absurd laws of the universe. The user gains the ability to re-write the strict laws of physics in their universe to their convenience and is allowed to overwrite the laws with more lenient and much more absurd physics. 4th Wall Awareness: Some Cartoons have the ability to acknowledge that there is an audience or some type of people watching them, and they’re working for a cartoon company. 4th Wall Interaction: Cartoons and users of this power can actually communicate and interact with the audience or people watching them, or the people animating them. Acme Arsenal: Cartoons and users of this power are able to be creative and use anything and everything as a weapon. Anatomic Construct: Caricature without any life-threatening effects.
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Anatomical Liberation: Users may be able to detach their body parts. Animation: Create soldiers, escape Portals, traps, weapons, etc. Antagonal Impairment: Violent rearrangements are impermanent. Cartoon Constructs: Constructs out of cartoons.
Destruction: In setting off an explosive, user can destroy a larger area than planned, possibly annihilating an entire planet. This often leaves only a piece of rock and a character hanging from a root. Digital Form: User’s may acquire this ability while going into the cartoon dimension. Direct Anvil: Anvil will fall directly on a caricature whether they are still or in motion. Dream Walking: Can see and jump straight into the dreams of other characters. Empathic Weather Manipulation: Manipulate the weather with your emotions, when your angry you make storms etc.
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Elasticity: Stretch limbs or any other part of ones body to absurd lengths. Fat Expansion: User may become much fatter by eating lots of food. Flat Body: May actually become two-dimensional, like a cartoon character. Also, sometimes gravity still works in space.
19 Why did the cow go to the movies?
This usually results in the character making a crater in the ground shaped just like the character and the object combined. However Flattened: In some cases the character will be made paper-thin. Helicopter Propulsion: The characters can use any part of their body to fly like a helicopter. However Wing Manifestation: In some cases, they can use two things or body parts as wings. Invulnerability: User’s can survive situations that can be dangerous, like falling from a certain height or hitting hard surfaces.
Injury Immunity: User’s do not die and are not truly affected by injuries that would otherwise be fatal, but will at least be annoyed or experience some pain from it. Knowledge Manipulation: User can use events to manipulate the knowledge of other characters, leading one of them to take the fall. This may also happen in surprised situations. BOOM” can also show, just like in a comic book. Jinxed: Cartoon characters can either be infinitely lucky or infinitely unlucky, to the point that impossible outcomes happen to them either way.
Omnipresence: If following someone, the user may happen to be anywhere the follower goes, possibly learning to fly for a moment. Opening Fanfare: Appearance may cause music to be played. Pain Suppression: User can suppress pain until they notice it or until they need to let out a scream. Parasol Flight: Using a mere umbrella to fly, glide, and hover to various destinations. Physics Infringement: In the cartoon world, physics is messed with in a lot of ways. Sometimes Magic: an idea that messes more with physics, and is believed to be magic, can be part of the cartoon’s storyline.
Developmentally Appropriate Curriculum for Each Age Group
Pocket Dimension: Ability to draw out large objects from seemingly nowhere, usually behind their back or in a pocket. Regenerative Healing Factor: Recover from damage and regenerate lost limbs, organs, and other body parts. For animal cartoons, this is mostly seen only applying to tails. Reversed Vocifery: When saying things like, “Nothing can go wrong,” something wrong can happen. Character ultimately says “I could be wrong” just to prove it.
They stay exactly the same age over the years. For Example, Mickey Mouse has not biologically aged. He is the same biological age he was in the 40’s as he is in the present. Sharp Jab: Slightest perforation implicates caricature to shoot skyward, screaming. Shapeshifting: If character is interacting with the animator, the animator can erase the body of the character and replace it with a new one – for example, Screwball Daffy.
Spontaneous Musical Number: User can break out into song and dance or cause one. As with some musicals, this can temporarily create a different world suited for the song, and have a variety of physics-defying effects. Synchronized Movement: Cause another character to move in a way that is synchronized with that of the user, until someone secretly breaks the chain. Tasks: Some cartoon characters are willing to go through a lot of trouble to pull off their personal missions. If they ever put these missions aside for any reason, they come back to them at some point.
Technology Manipulation: User can cause technology to do bizarre things. For example, the cherries on a fruit machine can turn out to be bombs. Teleportation: Can go inside one tunnel or door and come out of another one. This usually results in two characters ending in different places, despite going through the same door. User may run away at very high speeds. Some cartoon characters, like Road Runner or Speedy Gonzales, have this as a natural ability.
User is limited to defying the laws of physics, cannot rewrite or manipulate universes themselves. Gravity still pulls down, even if it takes a really long time to do so. Non-Lethal Damage, most users can’t kill. The ability to emote is often sacrificed in return for the ability. Most are unable to adhere to real physics, some may never be able to die or get hurt. May be weak against Real World Enforcement.
Painting of Jesus Christ and children holding candles, Illustration
Power is often derived from another source. A Reality Warper may give these powers to make the user an Enigma Force. The power may be limited to be used only when it’s funny. Toon World grants creatures this power. Slapstick looking at the picture should give you a very good example of this power. Homer’s heart and then placing it back in swiftly, which only under cartoon physics was he able to survive. 4-1C17 4 12 4 12 4s-5 0-8.
5. Proper nutrition helps balance the body’s functionality.
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If you’re already an awesome Cracked subscriber, click here to login. The Best, Most Underrated Lines From Shows And Movies, Pt. In a business full of endless reboots and remakes, maybe nothing in Hollywood gets recycled more than animation. But even with Hollywood’s low, low standards, some shows wind up too ridiculous to see the light of day.
Way back in the year 2010, DC Comics began developing yet another new Batman cartoon series. Though Batman has already been reimagined from pretty much every possible angle, this series was set to be Batman’s Smallville, exploring Bruce Wayne’s formative years at Gotham High. You know there would have been at least one episode where the Joker learned about the dangers of drug abuse. Based on the concept, this isn’t a bad idea. After all, Smallville was a huge hit for DC, and Marvel characters like Spider-Man and the X-Men have a history of using teen characters to explore hard-hitting teen issues such as what to do when a supervillain steals your girlfriend.
B for Beaver Alphabet Animal Craft
So a series focused on a teenage Bruce Wayne, before Batboy became Batman, sounds like it could be a home run. It’s a brave gym coach who runs that detention hall. Yeah, instead of just another Batman show rehashing the same old plots, the Gotham High concept would have given us Bane and Killer Croc dunking the Riddler’s head in a toilet bowl while the Penguin acted as lookout. Throwing out any semblance of continuity, the entire idea seems to be based on the observation that Batman villains can be categorized as goths, nerds, jocks and other high school stereotypes. According to the artwork, Batgirl is there too, so it’s unclear whether they were also planning to include a preschool-age Robin.
Is it actually possible for him to be more of a whiny bastard? We’re suspicious of any high school that produces no fewer than 12 supervillains in one graduating class, but admittedly it does put an interesting spin on those Council of Doom meetings to think they’re really just high school reunions. As for the show, it didn’t make it much further than the preliminary artwork and character design. Immediately after Who Framed Roger Rabbit became a hit, Hollywood decided to do what it does best: do the same thing all over again and hopefully make as much money. Truly, it was a Golden Age. The finished script, titled Toon Platoon, actually ended up being a prequel, telling Roger’s story from birth, including his rise in vaudeville and his experiences in World War II, all bookended by Roger’s search to discover his biological parents. After learning he was adopted, Roger meets Ritchie, a struggling actor, and heads to Hollywood.
But not before enlisting in the Army, since the shadow of WWII looms in the near future. The film would have ended with Roger being reunited with his mother and his father, who, in a twist of Shyamalanian proportions, is revealed to be Bugs Bunny. The project was put aside temporarily when Steven Spielberg, who had just directed Schindler’s List, realized that a movie that stars a slapstick cartoon rabbit might not be the most tasteful venue for exploring World War II. He was also worried it might stir up troubling questions about Herr Bunny’s wartime activities. A new draft was written, this time titled Who Discovered Roger Rabbit. With the Nazis gone, the film was focused instead on Roger’s rise in Broadway. They got as far as filming a CGI animation test, but Disney eventually pulled the plug on the whole project when it realized the budget for this would be astronomical.
Throughout the course of the series, Dexter’s Laboratory was no stranger to “adult humor,” sneaking in sly references to things only Mom and Dad would understand. But there are subtle, racy allusions, and then there’s the secret unaired episode, “Dexter’s Rude Removal,” in which Dexter’s sister straight-up calls him a “skull-fucking douchebag. No images exist of this episode, so here’s a skull-fucking douchebag. As a result, only a few people claim to have seen it.
These kinds of in-house gags aren’t exactly new. As far back as the 1930s, Warner Bros. But what makes Dexter stand out is just how far they went. At which point Dexter bopped her on the head. So where can you find a copy of this? Well, it looks like you can’t.
Even with Cracked’s powerful connections within the comedy industry, Genndy and Cartoon Network are keeping it pretty tightly under wraps. But the Shrek we know is almost unrecognizable from its original inception many years earlier as a vehicle for Chris Farley. And we all know how Chris Farley treated vehicles. The film is actually loosely based on a children’s book by William Steig called Shrek! The book detailed the coming-of-age story of a young ogre. After Steven Spielberg bought the rights, it was in development hell for years — it was at one point intended to be a hand-drawn film, then stop-motion animation and finally, motion-capture like Avatar.
Farley was hired to play the lead, who at this point was a shy and sensitive ogre still living with his parents and being pressured into the family business of scaring people. Instead of trying to patch up the remaining audio with a soundalike, the studio decided to let Farley’s legacy lie and recast the role with fellow SNL alum Mike Myers. Myers had only one minor request — a total Page 1 rewrite, radically changing the story and changing Shrek from shy, sensitive and Chris Farley-esque to an older, curmudgeonly misanthrope. A film that Katzenberg admitted was 90 minutes of slow, agonizing train wreck became a smash hit at the box office and beat Pixar to the Oscar. Salinger wrote in New Hampshire when he wasn’t drinking his own urine. But for some reason, one of the company’s greatest successes came after it took the actual Muppets out of the picture and forayed into animation. Muppet Babies was a surprise phenomenon, so much so that Henson soon started to think about how many stories he could squeeze out of the intermediate years between Muppet Babies and, well, regular Muppets.
You’re crossing lines that shouldn’t be crossed, Henson! The words “Muppet” and “High” go together like peanut butter and lint. But Muppet High, the developed-but-never-completed TV series featuring everyone’s favorite non-pornographic puppets, was not the Cheech-and-Chong inspired take on the franchise we’ve all been waiting for, but rather a series recasting the Muppets as high school students in the 1950s. Unlike Gotham High, which had Batmanability on its side, it’s questionable how seamlessly the Muppets could temper their genuine zaniness to accommodate for realistic teenage problems. Then again, the Muppet Babies didn’t ever confront real “baby issues,” focusing instead on however much stock footage from old movies they could cram into 30 minutes. Would the series have been a nostalgia-infused look at a simpler time, or taken more of a Mad Men-style approach, viewing the underlying hypocrisies of the era through the prism of floppy animal puppets?
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Nerdy Gonzo’s life is a never-ending sea of alienation. Unfortunately, we may never know how Kermit would have reacted to Sputnik, or Gonzo’s take on rock ‘n’ roll. When Jim Henson died, Muppet High died with him, but the Henson company still managed to squeeze some money out of it in the form of merchandising, proving that no matter how nonsensical children’s toys may appear, kids will buy whatever Kermit the Frog tells them to. The Simpsons is perhaps television’s greatest aberration — it’s likely to carry on until the sun explodes, and not once have they tried to cash in on a spin-off series. Oh, and here’s the twist: It would have been live-action. The show would have starred Dan Castellaneta, the actor who voices Krusty in the cartoon and who has the benefit of being an accomplished real-world actor as well.
The show was going to be all about this guy, in Krusty makeup, moving to L. Proving once and for all that Matt Groening has been shithouse crazy for years. It’s unsure whether the show would have branched continuity or whether the Simpsons’ Krusty would have dramatically left Springfield like Cleveland from Family Guy. And even though The Simpsons is pretty much inextricably bound with the zeitgeist, there’s no guarantee that everything it spawned would have been up to the same high standards. After all, there’s only a very thin line separating Frasier from The Tortellis. Unfortunately, Groening’s script called for Krusty’s house to be held up by wooden stilts that were being slowly eaten away by beavers, which probably would have been hilarious, we guess, but Groening was told by the studio that either trained or animatronic beavers were prohibitively expensive commodities, and for some reason he preferred to shelve the idea rather than compromise on this plot point. Instead, he began developing some dopey series that takes place in the future or something.
Anthony Scibelli is a handsome stand-up comedian and comedy writer. You can find him at his blog, “There’s No Success Like Failure. And pick up our bestselling book which contains articles you’ll never see on the site. For more stuff we’ll never get to see, check out The 10 Best Sci-Fi Films Never Made. And check out some television you may have missed in The 7 Most Mind-Blowing Foreign TV Moments. And stop by Linkstorm to get speculate about what went on in these shows’ universes.